Dana Point, CA – “Just Happy to be Included” – Doheny Days – September 16, 2000

I attempted to paint my naked toenails red while riding in the van—a decision I quickly regretted. In the passenger seat heading up I-405 towards Dana Point, I propped my feet on the dashboard. Holding the polish brush steady, I relied on the highway’s bumps to jostle my nails against the bristles. Unsurprisingly, my attempt resulted in a mess—a murder of red polish on my feet as well as on the dashboard.


Our day started at the Miramar Hotel in Santa Monica where I discovered Kyle’d stole the miniature lotion out of our bathroom before I could use it to sooth my sunburn. Soucy and I ventured out for a morning run along the beach, joining a throng of joggers each donning “Los Angeles Marathon in training” T-shirts. Judging by the sheer number and their varying fitness levels, it seemed like it must be the first week of training. “25,000 sweaty little reasons not to move to LA,” Soucy quipped as he retreated to the bathroom. His grumble prompted me to call after him, “Wake up on the wrong side of the bed, Soucy?” which set the tone for his smart ass demeanor the rest of the day.


The show was set up outside, along the beach. Although there were two stages, the music flowed seamlessly as one band finished and the next began. Strolling through the festival, the sun blazed overhead. Vendors called out to us with wares ranging from bathing suits to sky chairs and the air was rich with the scent of chicken teriyaki and flat beer—an intoxicating mix. It was a perfect day filled with fantastic music from bands like Tommy Castro, Dave Mason, Ozomatli, the iconic Steve Miller Band, the legendary John Lee Hooker, and of course, …. us …. just happy to be included.

Los Angeles, CA – “HOT DAMN!” – Luna Park – September 13, 2000

The AC is blown in Moby and driving through Death Valley without a coolant, spelled disaster for our trip from Tulare to Los Angeles. The relentless heat was unyielding, searing us whether we were parked or hurtling down the highway at 90 mph. Poor Kyle, drenched in sweat on a normal day, had it the worst. Stuck in the back with the least ventilation, he made a beeline for the air-conditioned gas station the moment we stopped. Inside he gasped:


“Do you love me, Sal?”
“So much, Kyle, you know that.”
“Enough to get that AC fixed,” pant pant pant “NOW? RIGHT NOW!?!”

We lingered in the gas station as long as humanly possible, loitering in the cool air. We didn’t bother with gas or snacks. Instead, I snagged some ice cubes from an open cooler and rubbed them on the guys’ backs, a little band maintenance, if you will. While we wasted time watching heat mirrages in the parking lot, Soucy broke into “New River Train,” an old country standard. He could only remember the first three verses, so we improvised our own, blocking the entrance and laughing as people squeezed by with polite “‘scuse me’s.”


Kenny sang, “Darlin’ you can’t love four, ’cause that would be a chore…”
Sally, “…Can’t love six, ’cause that’s way too many pr___s…”
Delucchi, “…Seven ’cause you might not get to heaven…”
Kyle finished with, “…Nine, cus that’s too good of a time…”

Later, Back in Moby’s hot belly, Soucy tried to cool us down by reading “cold” words from his book about Sir Ernest Shackleton’s icy Antarctic adventure. Words like “ice-encased boat,” “icebergs,” and “freezing gusts” floated through the van in Soucy’s best spa inspired voice. It offered a meager respite from our sweltering plight but we appreciated it none the less.


With windows down, the hot wind whipping through at a blistering 105 degrees, the scent of cow shit mingling with my essential oils inside the cabin, and cell reception cutting in and out, we finally emerged from the hot desert into the hot City of Lost Angels.

The gig was electric. CNN recorded our sound check and did a quick interview with us after. Agents from Virgin and Sony were there to try to sign us (of course I stuck true to my plan to stay independent, told them I was honored but not interested and to enjoy the show). James Gandolfini and Kelly Lynch were among the sea of familiar faces and to top the night off, our fantastic new booking agent, Jonathan Shank, told us Colm Meaney, the Irish actor of The Commitments and Star Trek fame, had offered us his mansion while he was out of town on a shoot!?!?! Only in L.A. do such incredible opportunities present themselves, and we eagerly harvested them. While Delucchi and Shank tried to chase Luna Park’s management down for the $375 they owed us for the gig, the rest of us loaded the van.


We wrapped up our night, drinks in hand, in Colm’s sprawling estate nestled in the hills, with the city’s lights dancing below us like waves. Jonathan, handing me the gig’s pay out (in a very slender envelop) promised that theaters and $2,000 offers were coming in for next year. He set me up in the luxurious master suite, complete with a courtyard view, a glowing pool, and a sauna that enveloped me until 3:30 am. It was a night to remember, one befitting the wild, sweaty ride it took to get there. Rock on!

The mysterious generosity of Colm Meaney

Los Angeles, CA – “LaLaLand” – The Santa Monica Pier & Luna Park – July 1, 1999

A cold ocean breeze slapped at our exposed skin. It snuck up to tickle our armpits and poke us through holes in our sweaters. We clasped our hands around our chests and shivered into it like musical warriors. The Santa Monica Pier pointed out to sea like a skeleton’s hand and I wondered how July ever consented to such a cold opening day.

Heather, Kenny’s wife, hovered nervously at the entrance of the pier. She’d come to LA to celebrate a long-overdue honeymoon, four years after tying the knot. Heather, terrified of the ocean and unaware that our gig was set on a pier, paced back and forth near the parking lot in a beige hoodie and blue jeans until Kenny slipped her a little something to calm her nerves. Then she began to move slowly, like a tentative fawn, with us towards the inky waters.

Rising defiantly amidst the flashing lights and carnival tunes of the amusement park, the plywood stage stood like a rebellious middle finger in a sea of frivolity. Our set was over before we could blink – a five-song opening gig for a headliner we’d never heard of. Three thousand people were packed onto the pier for the show, all looking up at us from beach towels and blankets splayed on the hard splinter-heavy dock.

Despite the cold, packed, pier, I could easily pick out familiar faces of my friends. Kevin Nealon, the actor and comedian, had graciously agreed to be our LA roadie and stood tall and handsome off stage left making us laugh with his poor miming skills. I was grateful for the distraction. I felt like a fish out of water in this carnival environment.

We barely had a moment to catch our breath after our set before racing through the neon-lit streets toward Hollywood for our second gig at Luna Park. Madonna was hosting a private wrap party for her latest movie in the upper section of the club. As we pushed our gear through the crammed parking lot, we watched clusters of girls in towering hair and body glitter, accompany shirtless boys in chaps and oiled chests. They strutted to an internal soundtrack clearly playing Madonna on repeat.

Photo by Peter Thomas on Unsplash

Compared to the alienating scene at The Santa Monica Pier, Luna Park felt as intimate as my own living room. The show was as effortless and comfortable as wearing pajamas–even with famous faces like James Gandolfini and Dawn Wells in attendance. We took requests and shared plenty of laughs, often disclaiming, “We’ve never played this song before….”

At midnight, Madonna invited us to her soiree upstairs. Someone puked on Moby and we had to load her up carefully so as to avoid getting the “accident” on us. As the July moon bloomed over the parking lot I admitted to myself and to my band that I was too tired to party–The electricity of LA really takes it out of me—and so I left the boys to whoop it up on Madonna’s tab and drove back to the hometel on my own.

I’m glad to be headed up the coast tomorrow.

Los Angeles, CA – “Best Night of My Life” – The Troubadour – March 20, 1999

Last night was the BEST night of my life and I don’t say that lightly. When
people say: “When pigs fly,” or “In my wildest dreams,”  I now know what they mean. I was in my wildest dreams last night and pigs were filling the sky. I don’t even know where to start, the shock hasn’t completely worn off and the grin (from ear to ear) doesn’t seem to go away even after sleeping.

We got to the Troubadour for a 6:30 load-in.  After losing my voice almost entirely after the Galaxy show, I did a vocal fast during the day, nervously opening my mouth at 5-ish to see if it was still there.  It was horse so I decided against a vocal warm-up (my usual practice). Luckily, it came back almost completely for the performance itself.

I’d never been to the Troubadour despite it being where both my parents made their start.  It’s a tall room with a balcony facing east and a huge stage that takes up 1/2 the room and faces west. We sound-checked, grabbed a bite, and did a little interview with a very nice Canadian man and his wife outside on Santa Monica Boulevard.

At 8:15 I went backstage to get dressed. My boyfriend, Kipp came up and said
“Sally, there’s some guy named Joel from Martha’s Vineyard here to see you.” I couldn’t think of who Joel might be. Confused, I followed Kipp into the hall.  At the bottom of the stairs, there was my beloved brother Ben and his girlfriend Bridge, who I’d previously been told were in New York. I was beyond surprised and excited.

My brother asked if I’d call him up on stage for “Happy Now.”  I was honored he wanted to sing with me but when I called him to come he said: “I’d like to invite one more person up here.”  In turn, I replied, “Oh great, I invite you up and the next thing I know, the whole audience is up here.” 

And out from stage right I see someone coming. It doesn’t look like anyone I know. And then, the spotlight catches her and I almost die right there on the spot. It’s my mommy. My sweet adorable mommy came all the way from the east on a plane (which I know she hates more than anything in the world). And there she is, standing next to me, and then on her knees hugging me, and were both laughing and floating 5 feet above this stage. This stage where 28 years ago she was discovered and I’m more happy than I’ve ever been in my life.

They joined me on Happy Now and then left me to finish up the show.
But I didn’t need to finish.  I didn’t need anything else ever.  I could
have just laid down and died and said I’d already lived my dream.

It just don’t get better than that does it!

Los Angeles, CA – “Snapshot at a Quarter Century ” – January 6, 1999

It’s the day before my 25th birthday and my moods are as tropical as a pina colada.  I cannot stand the way I feel in my skin.  I look fat and bloated especially when I smile which makes me frown and feel worse.  My eyelids feel too heavy to open and my hair feels like straw.  

The fact that it’s a glorious day and I’m in a green Mustang convertible, sipping a mocha frappuccino outside a Starbucks on Sunset Strip just proves that happiness is not contingent on external circumstances.  Joy is an inside job. 

Let’s see, how can I summersault myself into a different way of metabolizing this moment….

I’m wearing my tight red sweater.  Golden, shoe-string braids hang lightly over my shoulders. The breeze is cool on my cheeks and life is actually pretty sweet.  I mean fuck it,that my new barrettes flew out of the window as I cruised down the 10.  Fuck it that my pants feel tight around my waist.  I am a totally powerful babe and pitying myself for being a woman is not, and has never been helpful.

There, that’s better.

Dad called while I was grabbing breakfast at “The Firehouse” in Venice.  Over an egg white omelet and hot coco, he congratulated me on making it to a quarter century.

“You’re half my age and you’ll never be younger than half my age EVER again!” He reported enthusiastically which I thought was a very dad-like calculation to have made.  I thanked him for inviting me to this life and letting me tag along for a while on his.  He liked that.

“That’s a good thing for you to say my Sal.”