Day 13 – “Split Decisions” – January 27, 2000

It’s snowing. The light outside is blue. The horizon is dismissed for the day and it’s quiet, the way a bath is after the faucet’s turned off. Deer wade across the wide white landscape —calm as velvet when it’s running the same way. I wasn’t going to write today — frankly, there’s been little to write about.

Chris Soucy

We dubbed Michael White, “El Blanco,” this week because ‘Blanco’ is his last name in Spanish and because Mike’s skin is whiter than milk, a consequence of working in studios all his life. El Blanco is skinny too (no correlation to his new moniker) due in no small part to the calories he burns eating. He insists on chewing every single bite 32 times to promote digestive health. It’s not the only reason but, no doubt, has contributed to the two days it’s taken to get the right guitar tone for “Split Decisions,” A song I wrote a couple weeks ago. Every chew chews into studio time. “Do you think we’re still on target to finish the record by February?” I ask El Blanco between bits of tabbouleh. He doesn’t want to speak with his mouth full and by the time he’s done chewing we’ve both forgotten my question.

Chris Soucy sits atop a wooden swivel, bar-chair trying not to move or breathe. The slightest gesture could be disastrous to the recording process and might completely change the tone he and El Blanco have worked so hard to find. None of our patience can afford that. We’re tired, and our ears hurt from having to hear the same song over and over for two days straight. So, Chris sits dutifully like a stuffed sparrow on his perch. He remains expressionless except for moments he looks disappointed, after a take when El Blanco turns to him and says, “Try it again.” The room is hot; the control room electronics heat it up all day until we’re in tank tops and shorts and still sweating. It’s dark too because we’ve been too focused on tone to notice it’s becoming night.

Hours slip away under the music. We forget to pee, we forget to turn on lights, we forget to eat (and I’m not about to remind El Blanco!!!) My role is pretty much to sit on the wall-to-wall, parsley-colored rug — back against the paprika-painted paneling — listening, disapproving, listening again, suggesting alternatives, approving, and trying, unsuccessfully, to move things along. I do some calculations.

  • “Split Decisions” is a 5-minute song
  • There are twelve, 5 minutes in an hour
  • We’ve worked on the song from 10 am to 10 pm the past two days
  • That means we’ve heard “Split Decisions” approximately 1,440 times.

You’d think it would be almost impossible to like a song after that many listens, but miraculously we find ourselves humming it on our way home and more miraculous still, we find a way to still like each other.


Reader interactions

2 Replies to “Day 13 – “Split Decisions” – January 27, 2000”

  1. Hi Sally,

    Wow – so much time on one song! Well – it just happens to be my favorite song on this album, maybe my favorite of all of your songs! The drum intro is very catchy – kinda reminds me of Steve Winwood’s “Higher Love” (which I also love). I now have even greater appreciation for this song, knowing the time it took to record!

    Did you know that your dad has this in his playlist of “songs before the concert starts”? I heard it at Tanglewood last month and I was jumping up and down saying, “That’s Sally!”

    I’m glad you got out of the recording studio bathtub. I was feeling bad about you taking up residence there….

    1. Yes and that’s often a short time spent on one song. The pros take much more time (and money) tracking every song. I did know my pop worked that song into his opening soundtrack. I am deeply touched and honored.

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